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Ian Kenrick Jackson
Standard documents as shown below, each having an ancestrality, and an archive, from which are selected individuals and groups for unique installations.
The white space surrounding each image defines that this object is a documentary record of an artwork, at the same time questioning the status of both.
The top line of text is a space for a more discursive commentary if apprpriate.
The lower line of text shows a series of references that suggest an absent taxonomy. Along with the top line this also functions as a bracketing and/or alienating device.
The images, drawings, photographs, texts and assemblages, derive from a large accumulating archive. Each element depicted is equal in status.
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